The Animal Turn in Latin American Studies: Absences, Perspectives, and Potentialities.

Bonding in the Anthropocene: Collapse and Conviviality in Claudia Hernández’s Speculative Fiction.

Learning from Senselessness: The Act of Reading in Horacio Castellanos Moya’s Insensatez.

Uneven Battles: Central American Cold War Literature.

El rifle como reliquia en las memorias letradas sandinistas: Gioconda Belli y Sergio Ramírez.

Travelers and Littérateurs at the Banks of the San Juan River.

Guerrilla Narratives as Nature Writing: An Eccentric South-South Comparison.

El reino animal del narco: Zoológicos, soberanía y fantasía.

Stories of Giving Birth in Central America: Class, Race, and Politics in Women’s Health.

Naturaleza, tecnología y guerra: Modernidad encantada en la música sandinista.

In the Company of Animals: Otherness, Empathy, and Community in De fronteras by Claudia Hernández.

¿El río San Juan como mausoleo de modernidades de Nicaragua?

Zapata in Candyland: Cards, Games, and the Mexican Revolution

World Literature in Minor Key: The Central American Short Story.

Hippopotamus Dead or Alive: Animals and Trauma in Narratives of the Drug War.

¿El arma en la sociedad? La novela del desmovilizado, militarismo e introspección en la obra de Castellanos Moya.

In the Crossfire: Rascón Banda’s Contrabando and the ‘Narcoliterature’ Debate in Mexico.